Really thrilled to tell you my chapbook, Summer, from Desert Pets Press, has just been announced as a finalist for the bpNichol Chapbook Award. We launched this on Oct 29, 2016, so it’s really a lovely anniversary gift! I’m living in & going to school in New York right now, & it’s a challenging transition, so this nomination is a deeply appreciated tether to my hometown & the community of writers who’ve raised me up.
I tend not to be nostalgic, but I have an inordinate amount of nostalgia for this chapbook. I wrote about some painful personal things in it, but I also played a lot w/ form & space in a way that was also really joyous. But I think so much of my nostalgia is rooted in the wonderful work Desert Pets Press did on the flow & layout. Stuff I’m so grateful they imagined! Just like the cover itself is split between light & dark, the second half of this chapbook features black pages, w/ white text. That section contains one long poem, “Dew,” which I’ve described as a “children’s picture book w/o pictures.” I am still so awed at how Emma Dolan (designer) & Catriona Wright (editor) shaped this work into such a beautiful artifact.
It had a print run of 100 copies & is now sold out, & that’s sort of good in that it relieves me here from seeming like I’m writing some kind of advertorial for myself…
I could not be more excited about the poets in the current issue of This Magazine: Billy-Ray Belcourt & Phoebe Wang.
Billy-Ray Belcourt is a Cree poet & a scholar (a Rhodes scholar, no less!), w/an an incredibly unique & urgent voice. His first book, This Wound is a World, just came out this September, & the poem in the issue, “Ode to Norther Alberta,” is from the collection (follow link on his book title to buy). I cannot, cannot recommend his work enough, & I can’t even begin to imagine how far & fast it is going to travel. I am genuinely honoured that Billy-Ray was willing to share his work w/ This.
Phoebe Wang’s first book, Admission Requirements, was released this past spring from M&S, & I raved about it on Instagram & in The Globe & Mail at the time. It’s an incredibly wise & sensitive collection. You should buy it, too, if you haven’t! I’m extra thrilled about the poem Phoebe shared because it’s one of the first pcs she’s written & shared publicly since the book was released. I’m so grateful she entrusted me w/ her new work.
The September/October issue is on newsstands now, friends!
Really stoked to share that I’ve got a new poem, “In the gutter, under the moon,” in the really excellent publication, The Rialto, out of the UK.
A million thanks to the editors for welcoming my sad little poem.
I’ve been working as poetry editor at This Magazine for a couple of issues now. The first issue I worked on featured the work of Gwen Benaway, whose voice is at once singular & universal. Gwen’s poem, “Pretty,” is online to read (for free!) now. I encourage you to visit the site & read the pc, & then follow up with the rest of her work. Her latest book is called Passage, & there is no way not to be changed by it. I want to thank Gwen for entrusting me with her wonderful writing on my first issue.
The cover image above is for This Magazine‘s Summer Reading Issue, out now in bookstores. It features the work of a few of our finest & most original emerging poets: Canisia Lubrin, Doyali Islam, Natalie Wee, & Basia Gilas. I was absolutely floored by their work & am honoured to be able to share it with you. I hope you will pick up the issue & support independent, progressive media & some truly excellent poets.
A poem of mine is up for a National Magazine Award. The poem is called “Talking w/humans is my only way to learn,” & takes its title from Microsoft’s twitter bot, Tay. That phrase was her mantra in the 24 hours she was… Awake? Alive?
The poem was originally published in The Puritan by guest editor Sonnet L’Abbé, in the Irish journal Banshee, & it’s in my chapbook from last fall, Summer. Enormous gratitude to these publishers & editors.
There are so many great poems on this list, & I am happy to call many of these talented poets my friends.
O hai! I have some news. This Magazine just hired me as the new poetry editor. I’ll be trying hard to keep up w/the great work Dani Couture has been doing there for years. The incoming fiction editor is the excellent Andrew Battershill. You might know this already, but This Magazine has been in print since 1966, & has published some of Canada’s most important & progressive writers.